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Jean Rouch

From Wikipedia, the free encyclopedia Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.


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Born:
May 31, 1917
Movie/TV Credits:
8
First Appeared:
In the movie The Doll 1962-11-07
Latest Project:
Movie My Conversations on Film 2013-10-13
Known For
Poster of Son of Gascogne
Filmography
Movie My Conversations on Film Himself 2013-10-13
Movie Pierre Fatumbi Verger: Messenger Between Two Worlds Self 1998-12-31
Movie Son of Gascogne Self 1995-02-18
Movie Ciné-Portrait of Raymond Depardon himself 1983-01-01
Movie Ciné-mafia 1980-07-09
Movie Cinématon N°1256 1978-12-20
Movie La Nouvelle Vague par elle-même Self 1964-05-19
Movie The Doll 1962-11-07
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